论十七年的戏剧文学创作

十七年戏剧文学创作的总体格局是“话剧——戏曲二元结构”共生互补,话剧的突出特点是日益政治化和正剧化,戏曲则基本上是“传统戏、现代戏和新编历史剧三并举”和悲剧、喜剧与正剧同步发展.如果说中国戏剧的现代化在新中国成立之前主要是由话剧的诞生与发展来代表的,那么,在十七年,戏曲的“推陈出新”及其文学成就对于中国戏剧现代化的意义则在话剧之上.

On Drama Creation in the Seventeen Years

The general outline of the Seventeen Years drama writing appears to be dual structure of drama and Chinese opera. The drama has politicized gradually, while the Chinese opera, including traditional opera, modern opera and new historic opera, has developed simultaneously with tragedy, comedy and drama. If the naissance and development of drama has represented the modernization of drama in China before the liberation, then, the new-born Chinese opera has contributed more in the Seventeen Years after liberation than the former.