| 论“中和”美学思想产生的哲学渊源 |
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| 引用本文： | 王晓恒,张铁慧.论“中和”美学思想产生的哲学渊源[J].长春师范学院学报,2009(11). |
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| 作者姓名： | 王晓恒 张铁慧 |
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| 作者单位： | 长春师范学院汉语言文学学院; |
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| 基金项目： | 吉林省教育厅“十一五”社会科学研究课题(2007第208号); 吉林省教育厅“十一五”社会科学研究课题(2008第270号) |
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| 摘 要： | 先秦中和美学思想的产生有着深厚的哲学渊源,主要体现为:天人合一的思想是中和美学思想产生的主要哲学之源,阴阳五行思想是中和思想的演绎派生,而中庸思想则是中和思想的概括性总结。
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| 关 键 词： | “中和” 哲学 天人合一 阴阳五行 中庸 |
On the Philosophical Origin of the Emergence of Aesthetic Thinking to Zhonghe |
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| WANG Xiao-heng,ZHANG Tie-hui.On the Philosophical Origin of the Emergence of Aesthetic Thinking to Zhonghe[J].Journal of Changchun Teachers College,2009(11). |
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| Authors: | WANG Xiao-heng ZHANG Tie-hui |
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| Institution: | WANG Xiao-heng,ZHANG Tie-hui(College of Chinese Language , Literature,Changchun Normal University,Changchun 130032,China) |
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| Abstract: | There is a deep philosophical root of the emergence of aesthetic thinking to Zhinghe of Pre-Qin Dynasty.The main reflection of the thinking is as follows: the idea of Harmony between Man and Nature is the chief philosophical source of the emergence of aesthetic thinking,the theory of Yin Yang Five Elements is its deduction and derivation,and the ideology the Doctrine of the Mean is its general summary of thinking. |
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| Keywords: | thinking to Zhonghe philosophy harmony between man and nature the theory of Yin Yang five elements |
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