“解构”的悲喜剧——对一篇批评文章的批评

批评家可以在无需顾及作者和文本本意的前提下进行批评活动,已是一个不争的事实,现代批评,例如解构批评,就是如此。但是,在这样的解读中,如果一方面肆无忌惮的消解本意,一方面又在本意中去寻求意义,是否意味着陷入了一个阐释的悖论? 通过对一篇批评文章的批评,来回答上面这个问题。

A Tragicomedy of Deconstruction

It has become a fact that a critic can finish his job without considering the intention of the author or of the text. So do some modern criticism paradigms including deconstruction. Yet how can we explain the paradox that a critic clears up the original intention on the one hand while trying to seek meanings from the intention on the other? This paper attempts to analyze this question through criticism of a critique.