| 论写实型探索戏剧 |
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| 引用本文： | 宋毅,宁殿弼.论写实型探索戏剧[J].井冈山学院学报,2009,30(3):66-69. |
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| 作者姓名： | 宋毅 宁殿弼 |
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| 作者单位： | 莆田学院中文系,福建,莆田,351100
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| 摘 要： | 80年代在戏剧探索大潮中涌现出一批写实型探索戏剧，它们既秉承“写实剧”特征，又兼具“探索剧”特点。前者仍以现实主义精神为基石、现实主义手法为主要创作方法，坚持以人物为中心，注意揭示底层人物的命运、生存价值、内心冲突，追求人物关系生活化；后者不拘泥于传统旧有模式，适度进行创新试验，注入一些现代意识，吸纳了西方现代主义戏剧的手法、技巧，或从传统戏曲中汲取营养，采用非幻觉武审美形式，表现出现实主义的开放性和拓展。
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| 关 键 词： | 写实型 探索 戏剧 创新 |
On Realistic Exploratory Drama |
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| SONG Yi,NING Dianbi.On Realistic Exploratory Drama[J].Journal of Jinggangshan University,2009,30(3):66-69. |
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| Authors: | SONG Yi NING Dianbi |
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| Institution: | Chinese Department;Putian College;Putian 351100;China |
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| Abstract: | Realistic exploratory drama appeared in the 1980s when drama exploration.It has the characteristics of both realistic drama and exploratory drama.The former bases on realistic spirit with its realistic method and focuses on the depiction of people,especially their fates,survival values,internal inside conflicts and social relations.The latter,being creative,deviates from the traditional mode,absorbs the writing skills of modern western drama or traditional drama and adopts the non-illusory aesthetic form,wh... |
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| Keywords: | realistic exploratory drama creative |
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