| 追求原始的野性——论高行健戏剧观的传统资源 |
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| 引用本文： | 季玢,金红.追求原始的野性——论高行健戏剧观的传统资源[J].韶关学院学报,2007,28(4):14-17. |
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| 作者姓名： | 季玢 金红 |
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| 作者单位： | 1. 常熟理工学院,人文社科系,江苏,常熟,215500
2. 沈阳师范大学,文学院,辽宁,沈阳,110034 |
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| 摘 要： | 假定性、剧场性以及娱乐性是高行健从民间文化中摘取的三棵重要的“种子”。他渴望这三棵“种子”能在20世纪70年代末的中国土壤上存活下来,以此带动中国戏剧的复兴。高行健寻戏剧之“根”并不是对中国原始野性文化的自恋,而是在现代性浸淫中对传统戏剧资源的新的开掘,是一种找寻超越与突破支点的努力。
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| 关 键 词： | 高行健 野性思维 民间文化 |
| 文章编号： | 1007-5348（2007）04-0014-04 |
| 修稿时间： | 2007-01-10 |
In Pursuit of Primitive Savagery:Comment on the Conventional Resource of Gao Xingjian's Drama Conception |
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| JI Bin,JIN Hong.In Pursuit of Primitive Savagery:Comment on the Conventional Resource of Gao Xingjian's Drama Conception[J].Journal of Shaoguan University(Social Science Edition),2007,28(4):14-17. |
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| Authors: | JI Bin JIN Hong |
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| Institution: | 1. Department of Humanities, Changshu Institute of Technology, Changshu 215500, Jiangsu, China; 2. Faculty of Literature Shenyang Normal Universit, Shenyang 110034, Liaoning, China |
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| Abstract: | Assumption, theatre and entertainment are three important seeds that Cao Xingjian extracts in folk culture. He longs for that these three seeds can survive at the end of 1970' s and in 1980' s Chinese soil so that they can spur Chinese drama Risorgimento. Cao Xingjian' s looking for "root" of drama is really not the narcissism to Chinese primitive wild culture, but to dig newly to tradition drama resource in modern enmeshment and an effort to look for the exceeding and breaking a fulcrum. |
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| Keywords: | Gao Xingjian wild thought folk culture |
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