| 巴罗克文艺与英美“新批评” |
| |
| 引用本文： | 李梅英. 巴罗克文艺与英美“新批评”[J]. 长春师范学院学报, 2011, 0(11): 96-99 |
| |
| 作者姓名： | 李梅英 |
| |
| 作者单位： | 长春师范学院汉语言文学学院; |
| |
| 摘 要： | 任何一种文艺观念都有其历史传承与理论渊源,英美"新批评"也不例外。在"新批评"的理论建构中,有很大一部分体现出巴罗克(Baroque)式的文艺理念,如在诗歌趣味上欣赏17世纪英国玄学派诗歌,在审美分析中关注美的模糊性与复杂性,重视对诗歌的立体结构分析等。在文学研究和批评方面,"新批评"重要学者雷纳·韦勒克所使用的批评方法,也受到了巴罗克艺术理念的启示。
|
| 关 键 词： | “新批评” 巴罗克文艺 文学批评 |
Anglo-American New Criticism and Baroque |
| |
| LI Mei-ying. Anglo-American New Criticism and Baroque[J]. Journal of Changchun Teachers College, 2011, 0(11): 96-99 |
| |
| Authors: | LI Mei-ying |
| |
| Affiliation: | LI Mei-ying(College of Chinese Language and Literature,Changchun Normal University,Changchun 130032,China) |
| |
| Abstract: | Every literary theory comes from historical tradition and antecedents of theory,so does New Criticism.There are a considerable proportion of Baroque characteristics in New Criticism,such as appreciating the 17'th Metaphysical poetry,valuing on ambiguity and complexity in the process of analysis of aesthetics,and paying attention to the poetic structure of cubic matrices.In terms of literary criticism,Rene Wellek's concept Perspectivism also fits together well with Baroque's. |
| |
| Keywords: | New Criticism Baroque literary criticism |
| 本文献已被 CNKI 等数据库收录！ |
|
