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论《诗经》前后期创作的嬗变
引用本文:葛立斌,曲成艳.论《诗经》前后期创作的嬗变[J].长春师范学院学报,2007,26(6):59-62.
作者姓名:葛立斌  曲成艳
作者单位:[1]广东教育学院中文系,广东广州510006 [2]长春师范学院宣传部,吉林长春130032
摘    要:瀵广€婅瘲缁忋€嬫枃鏈繘琛屽垎鏋?瀵硅タ鍛ㄥ墠鏈熷拰瑗垮懆鏈勾鍒版槬绉嬫椂鏈熺殑姝岃瘲杩涜瀵规瘮鍒嗘瀽,璁や负銆婅瘲缁忋€嬪垱浣滄湁涓€涓敱姝岄闆嗕綋鎰忓織鍒拌〃杈句釜浜烘儏鎬€鐨勫瑮鍙樿繃绋?鑰?涓綋鎰忓織"鐨勫嚭鐜板垯鏍囧織鐫€鍛ㄦ湯鏄ョ鏃舵湡鏄腑鍥芥渶鏃╃殑"鏂囧鑷"鐨勬椂鏈?

关 键 词:绀句細鍙樿縼  闆嗕綋鎰忓織  涓汉鎰忓織  鏂囧鑷
文章编号:1008-178X(2007)06-0059-04
修稿时间:2007骞?鏈?鏃?/revised_time>

Commentary about Front and Later Period of Songs 300
GE LI - bin , QU Cheng- yan.Commentary about Front and Later Period of Songs 300[J].Journal of Changchun Teachers College,2007,26(6):59-62.
Authors:GE LI - bin  QU Cheng- yan
Institution:1. Department of Chinese, Guangdong Education Institute, Guangzhou 510006, China; 2. Department of Publicity, Changchun Normal University, Changchun 130032, China
Abstract:Based on the research of songs 300, a comparison was put forward between the songs in the forepart and the evening of Western Zhou Period. Transformation was thought to be existed in the producing process of songs 300, which changed from singing collective wills to singing individual wills. And the appearance of individual wills in songs 300 indicated the first arrival of the era of literary consci in China.
Keywords:social changes  collective will  individual will  literary consciousness
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