| 钢琴学习中的踏板基本运用技法 |
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| 引用本文： | 喻家燕.钢琴学习中的踏板基本运用技法[J].文山师范高等专科学校学报,2004,17(2):176-179. |
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| 作者姓名： | 喻家燕 |
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| 作者单位： | 文山师范高等专科学校,音乐系,云南,文山663000 |
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| 摘 要： | “踏板是钢琴的灵魂”。恰当地使用踏板能使音乐充满活力，富有生气，更有光彩，更加迷人；反之，则有导致混乱的危险。演奏者要获得踏板技法的艺术性，就必须首先掌握一定的基本踏板技巧。通过对钢琴基本踏板技巧及使用踏板应遵循的一般原则的阐述，并结合实际例子加以理解。
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| 关 键 词： | 踏板 钢琴学习 运用技法 |
| 文章编号： | 1671-3303（2004）02-00176-04 |
| 收稿时间： | 2003-09-20 |
| 修稿时间： | 2003年9月20日 |
On The Basic Skills of The Pedal In Piano Playing |
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| Yu Jia- yan.On The Basic Skills of The Pedal In Piano Playing[J].Journal of Wenshan Teachers College,2004,17(2):176-179. |
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| Authors: | Yu Jia- yan |
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| Institution: | Music Department, Wenshan Teachers College, Yunnan 663000 |
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| Abstract: | Pedal is the soul of the piano. Proper use of the pedal can make the music more attractive and more dynamic.Otherwise, it may cause a mess. The piano player must grasp the basic skiUs of how to use the pedal so as to upgrade the level of playing. Therefore, the player must make an effort to use it properly, such as how to deal with octave, scale, trill, etc while playing. This article is to illustrate some principles applied to the use of the pedal. |
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| Keywords: | pedal trill syncopation half pedal partial pedal and full pedal |
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