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反讽的小说复调理论——兼论米兰·昆德拉的复调小说
引用本文:颜东升.反讽的小说复调理论——兼论米兰·昆德拉的复调小说[J].达县师范高等专科学校学报,2009,19(1):54-56.
作者姓名:颜东升
作者单位:河北大学人文学院,河北,保定,071002  
摘    要:“复调”原是音乐学术语,20世纪早期由巴赫金引入文艺理论领域,此后经由米兰·昆德拉的拓展与实践,发展出“现代复调理论”。相较于巴赫金的复调理论,现代复调理论影响下的小说创作使复调更加形式化,而正是这种趋于形式化,流于文本层面的复调在昆德拉作品中更具有深层次的反讽意味。

关 键 词:反讽  小说复调理论  巴赫金  昆德拉

Ironic Theory of Polyphonic Novel:Commenting Milan Kundera's Polyphonic Novel
YAN Dong-sheng.Ironic Theory of Polyphonic Novel:Commenting Milan Kundera's Polyphonic Novel[J].Journal of Daxian Teachers College,2009,19(1):54-56.
Authors:YAN Dong-sheng
Institution:College of Literature;Hebei University;Baoding Hebei 071002;China
Abstract:Polyphony,originally a musical term,was introduced into the literature and arts by Bakhtin in the early 20th century.Then for the development and practice by Milan Kundera,it developed into a "modern polyphony theory".Compared with Bakhtin's theory of polyphony,the modern polyphony was more formal made by the novel writing under the influence of the modern theory,and this kind of polyphony which is more formalized remains in the text level in Kundera's works and has more ironical meanings in the deep-seated...
Keywords:irony  polyphony theory  Bakhtin  M  Kundera  
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