《耻》中意象的后殖民寓意解读

以后殖民主义为理论视角，通过细读库切小说《耻》中反复出现的歌剧、狗、噩梦和枪等意象，分析文本中所蕴含的丰富寓意和政治话语。歌剧《拜伦在意大利》其实是卢里自身生活的写照；在象征已逝殖民者权威的流浪狗身上，卢里父女以不同的方式寻找到了自我身份的认同；血淋淋的噩梦反映的不仅是身体的创伤，更是无力抵抗的受害者无法抹去的心理阴影；未鸣的枪则暗示了殖民者最后依靠的消逝。

Post-colonial Interpretation of the Recurring Images in Disgrace

Based on the close reading of Coetzee＇s novel Disgrace, the allegorical meanings and political discourses embodied in such recurring images as the unaccomplished opera, disserted dogs, the bloody nightraares and the unfired gun were unveiled from the perspective of post-colonialism. It was argued that the opera Byron in Italy which Professor Lurie failed to complete parallels his own perplexed life; both Lurie and his daughter Lucy have respectively found their identifications on the disserted dogs; the bloody nightmares represent not only the physical tortures but also the traumas imposed upon the defenseless; and finally, the unfired gun symbolizes the loss of the colonizers＇ last dependence.