| 缠绵婉转话《九歌》——论《九歌》多样化艺术风格的形成 |
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| 引用本文： | 马黎丽. 缠绵婉转话《九歌》——论《九歌》多样化艺术风格的形成[J]. 黔西南民族师范高等专科学校学报, 2010, 0(1): 44-46 |
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| 作者姓名： | 马黎丽 |
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| 作者单位： | 兴义民族师范学院,贵州兴义562400 |
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| 摘 要： | 《九歌》诸篇,风格不尽相同。《湘君》、《湘夫人》、《山鬼》更多地融入屈原的自身情感,读起来格外缠绵宛转,绮靡伤情;《东皇太一》、《礼魂》以及《东君》、《云中君》、《大司命》、《少司命》、《河伯》诸篇,更接近《诗经》颂体的风格,更多地显现出＂和平婉丽、雍容整暇＂的风格;《国殇》则灌注了屈原强烈的爱国之情和深切的体恤士卒之情,充满凛然之气,阳刚之美。《九歌》艺术风格的形成,与＂悲壮顿挫＂的楚声亦相关联。
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| 关 键 词： | 九歌 艺术风格 楚声 |
On the Origin of Diversification of Artistic Style of Nine Songs |
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| MA Li-li. On the Origin of Diversification of Artistic Style of Nine Songs[J]. Journal of Southwest Guizhou Teachers College for Nationalities, 2010, 0(1): 44-46 |
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| Authors: | MA Li-li |
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| Affiliation: | MA Li-li(Xingyi Normal University for Nationalities,Xingyi,Guizhou 562400) |
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| Abstract: | The poetries in ＂ Nine Songs＂presented diversification of artistic style.One part of these poetries characterized by sentimental and gentler because of embodying QuYuan’s life experience.The others characterized by solemn and dignity because of their function of sacrifice.National Martyr（Guoshang） was distinct from all others by solemn and stirring because of embodying QuYuan’s patriotic feeling.Finaly,Music of Chu affected the artistic style of＂Nine Songs＂well. |
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| Keywords: | Nine Songs Artistic Style Music of Chu |
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