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论市场化生存下的电视纪录片创作
引用本文:苗瑞,李冬琴.论市场化生存下的电视纪录片创作[J].大理学院学报,2008,7(11):24-27.
作者姓名:苗瑞  李冬琴
作者单位:1. 大理学院文学院,云南大理,671003
2. 曲靖师范学院中文系,云南曲靖,655000
摘    要:围绕电视纪录片创作与市场化生存存在的不适应的问题,从纪录片创作的角度,探索纪录片创作怎样适应纪录片市场化的问题。提出了电视纪录片要可信、可感,以真实为底线;要选择有思想性的、适于画面表现的、能有画面表现力的题材;要向观众讲述一个精彩的故事,要让观众在情感的经历中,感受艺术的美。高潮点是作品情感的总爆发,是使观众审美经验与情感体验现实化的关键点,要设计好作品的情感高潮点。

关 键 词:纪录片  市场化生存  创作  真实  选材  情感

Thoughts about the Market-based Existence of Documentary Creation
MIAO Rui,LI Dong-qin.Thoughts about the Market-based Existence of Documentary Creation[J].Journal of Dali University,2008,7(11):24-27.
Authors:MIAO Rui  LI Dong-qin
Institution:MIAO Rui1,LI Dong-qin2(1.College of Linguistics & Literature,Dali University,Dali,Yunnan 671003,China,2.Department of Chinese,Qujing Teacher\'s College,Qujing,Yunnan 655000,China)
Abstract:Centering around the ill adaptation of TV documentary to market-based existence,this paper,from the perspective of a documentary producer,explores how TV documentary should adapt to the market,and proposes the idea that TV documentary should be faithful,tangible,based on true stories,thought-provoking,easy to present on TV screen when it comes to the choice of subject matter;also they should tell a terrific story that would ensure the audience's appreciation of the beauty of art when going through an emotio...
Keywords:Documentary  market-based existence  create  truth  choice of subject matter  emotion  
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