| 1919:《新青年》与一场未遂的“革命” |
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| 引用本文： | 胡荣.1919:《新青年》与一场未遂的“革命”[J].杭州师范学院学报(社会科学版),2009,31(4). |
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| 作者姓名： | 胡荣 |
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| 作者单位： | 上海外国语大学,文学研究院,上海,200083 |
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| 基金项目： | 上海外国语大学青年基金项目"中国现代先锋文艺研究:1919-1936-以决澜社和《艺术旬刊》为核心"(KX181038)的成果 |
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| 摘 要： | 作为"五四"新文化运动的策划发起者,<新青年>同人(陈独秀、蔡元培、鲁迅等)在倡导"文学革命"的同时,对于另一场虽经提出但未能贯彻实现的"美术革命",表现出了各自不同的态度和立场.通过对这场未遂"革命"的始末及相关人事的细致辨析,可以揭示出在中国现代先锋艺术发展之初文学与美术两大领域各自境遇的先天差别和微妙关系.
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| 关 键 词： | 《新青年) 美术革命 先锋艺术 |
1919:New Youth and the Unfulfilled "Revolution" |
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| HU Rong.1919:New Youth and the Unfulfilled "Revolution"[J].Journal of Hangzhou Teachers College(Humanities and Social Sciences),2009,31(4). |
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| Authors: | HU Rong |
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| Institution: | Institute of Literary Studies;Shanghai International Studies University;Shanghai 200083;China |
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| Abstract: | As initiators and advocators of the New Culture Movement,the scholars from New Youth,such as Chen Duxiu,Cai Yuanpei and Luxun,showed different attitudes towards the "Fine Arts Revolution" initiated yet not put into practice when they were passionately working on the "Literature Revolution" they started. The difference of living conditions and the subtle relationship between literature and fine arts at the beginning of Chinese avant-garde art can be discerned through the detailed analysis in this paper. |
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| Keywords: | New Youth Fine Arts Revolution avant-garde art |
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