儒、佛、道思想对中国古代绘画色彩的影响

中国绘画使用色彩的年代很早,色彩的种类也很丰富。但中国绘画在历史的发展过程中并没有走以色彩造型这条路,色彩在画面上更多的是表达社会文化观念。儒家的伦理象征色影响了中国人物的色彩发挥(主要是对人物服饰的影响),佛教与隋唐之际金碧辉煌的“院画”风格的形成有关系;到了宋元,受道家思想影响的水墨渲淡为主的文人画风占据了画坛的主流地位,并一直影响到近现代。从儒、佛、道的思想根源来探求中国传统绘画色彩风格形成的原因。

The Effect of Confucianism、Buddhism and Taoism on Chinese Painting Color

The color used in Chinese painting is very early and the types of the color are also very rich.But the Chinese painting do not choose the way of using color to make mode in the development of history.Instead,color in the painting is used more to express the social culture idea.The symbol color of Confucian ethic affects the color development of Chinese figure painting,esp.on the figure's dress.Buddhism has developed closely with the magnificent style of "Royal academic painting" in Sui and Tang Dynasties.While in Song and Yuan Dynasties,literati painting type that focus on adding washes of ink or color to a drawing affected by Taoist ideas holds the mainstream of the position in painting ciders and all lasts to modern times.The article attempts to explore the reasons of forming the type of traditional painting color from the idea root of Confucianism,Buddhism and Taoism.