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幻象·幻想·诗意言说——海子抒情短诗解读
引用本文:刘勇.幻象·幻想·诗意言说——海子抒情短诗解读[J].泰山学院学报,2006,28(5):64-68.
作者姓名:刘勇
作者单位:泰山学院,中文系,山东,泰安,271021
摘    要:海子及其诗歌是中国当代诗歌史上特殊的文化存在。本文尝试着从存在的表象/幻象、丰盈的想象/幻想、诗意言说方式、神性体验和神性光辉四个方面对海子的抒情短诗进行解读,并探讨和说明海子及其诗歌在诗学理念和美学实践上与梵高、海德格尔、荷尔德林等人的精神渊源关系。有所发明的是把海子诗歌的幻象体系与海德格尔的天地人神四重世界整体相联系,以及在分析归纳后提出了海子诗歌独特的“诗意言说方式”。

关 键 词:海子  抒情短诗  幻象  诗意言说方式  海德格尔
文章编号:1672-2590(2006)05-0064-05
修稿时间:2006年7月28日

Phantasm, illusion and the poetic speech
LIU Yong.Phantasm, illusion and the poetic speech[J].Journal of Taishan University,2006,28(5):64-68.
Authors:LIU Yong
Abstract:Haizi and his poems are both special cultural being in history of Chinese contemporary poetry.The article attempts to analyse his short emotional poems in four aspects:phantasm of being,ample illusion,the mode of poetic speech and divine experience,and it also proves that Haizi carries on the spirit of Van Gogh,Heidegger and Helderlin in his poetic idea and aesthetic practice.The most important is that the author finds out the phantasm system of Haizi's poems relates to the world idea of heaven,earth,God and human being in Heidegger's philosophy,and mentions concept of mode of poetic speech that exists uniquely in Haizi's poems.
Keywords:Haizi  short emotional poems  phantasm  the mode of poetic speech  Heidegger
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