中国现代浪漫小说的怀乡意识

中国现代浪漫小说的怀乡是向并不存在或业已逝去的理想境界注目凝眸,以抒情笔法追寻与展现自然人性之美,以想象另一个桃源世界来表达对于现实社会的抵制与否定。以郁达夫、废名、沈从文、萧红为例进行论述,认为郁达夫的怀乡体现着从儒子到名士的转变;废名、沈从文两人回首乡关时的理想家园同中有异;萧红则以向童年回眸的形式开始怀乡之旅。这些差异反映了浪漫评论小说作迥异的文化身份及心灵历程。

Homesickness in Modern Chinese Romantic Novels

Homesickness in modern Chinese romantic novels focuses on the ideal realm which never exists or has already disappeared, traces back and displays the beauty of human nature in a lyric style, and conveys the writers' resistance and resentment against the current social reality by creating another imaginary beautiful world. This paper quotes Yu Dafu, Fei Ming, Shen Congwen, and Xiao Hong as examples in the analysis, claiming that homesickness expressed by Yu Dafu manifests his shift from a Confucian scholar to a celebrity in the academic circle, that the ideal homeland for Fei Ming is basically similar to, yet somewhat different from that for Shen Congwen, and that Xiao Hong began her long journey to her ideal homeland in the form of recalling her childhood. All these differences have reflected the different cultural identities and spiritual journeys of these romantic writers.