| 清初戏曲《双熊梦》双生旦结构功能论 |
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| 引用本文： | 俞晓红,沙婷婷. 清初戏曲《双熊梦》双生旦结构功能论[J]. 温州大学学报(自然科学版), 2012, 0(3): 41-46 |
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| 作者姓名： | 俞晓红 沙婷婷 |
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| 作者单位： | 安徽师范大学文学院 |
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| 摘 要： | 清初朱素臣的（《双熊梦》采用了双生旦结构,这有利于增强故事的传奇性,能更好地实现戏曲出与出之间的反接,在充分利用演员资源、增加演出收入等方面显示其优长。
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| 关 键 词： | 《双熊梦》 双生旦结构 戏曲 |
Study on Structure of Two Male Roles and Two Female Roles in Traditional Chinese Opera Shuang Xiong Meng in the Beginning of Qing Dynasty |
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| YU Xiaohong,SHA Tingting. Study on Structure of Two Male Roles and Two Female Roles in Traditional Chinese Opera Shuang Xiong Meng in the Beginning of Qing Dynasty[J]. Journal of Wenzhou University, 2012, 0(3): 41-46 |
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| Authors: | YU Xiaohong SHA Tingting |
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| Affiliation: | (College of Humanities,Anhui Normal University,Wuhu,China 241000) |
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| Abstract: | The traditional Chinese opera Shuang Xiong Meng,composed by Zhu Suchen in the beginning of Qing Dynasty,adopted a special structure of two male roles and two female roles.This structure could help to make the story much more legendary and achieve better conversion between one play and another.What’s more,it also showed its advantages in many aspects,including making full use of actors and increasing the income of operatic players. |
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| Keywords: | Shuang Xiong Meng Structure of Two Male Roles and Two Female Roles Traditional Chinese Opera |
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