比较视野中的“福贵式活着”

截至目前，评论界关于《活着》主人公福贵的形象及“福贵式活着”的内涵、价值仍存有争议。将福贵纳入与阿Q和三毛所代表的生存方式的比较视野中，有助于解读出“福贵式活着”在具体情境中的积极意义。在苦难面前，福贵依然保持着悲悯情怀，并在与“他我”的对话中建构起“老不死”的尊严和价值，与阿Q在精神境界上有高下之别。福贵脚踏实地地活在当下，活在现实家园之中，彰显出巨大的生命力量，启示着如三毛般执着追求远方、最终却无“家”可归的知识分子，“故乡”在生活世界里，在精神与物质、神圣与世俗的和谐一体中。

Fugui's-Living-Style in the Novel "To Live" in the Comparative View

＂To Live＂, written by YU Hua,is believed as the most influencial novel of China in 1990t. Up till now,the connotative meaning of Fugui＇s - living - style is controversial. Putting Fugui into the comparative analysis with A. Q and the famous female writer Sanmao, we can make out the positive significance of Fugui＇s - living - style. Before all those sufferings in life,he is still compassionate, and tries his best to construct individual value and dignity through keeping dialogues with Others. He is different with Ah. Q in spiritual realm. No matter what happens, Fugui keeps his life down - to - earth, and manifes the strength of lif itself. For intellectuals who insist that Life is elsewhere and perplexed by the sense of Homeless, should draw some enlightments from Fugui＇s- living- style. In these senses,the novel has displayed nobility,just as the writer declared.