| 乔治·桑后期创作中的"田园"与"家庭"——又及与陀思妥耶夫斯基创作之一瞥 |
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| 引用本文： | 杨亦军.乔治·桑后期创作中的"田园"与"家庭"——又及与陀思妥耶夫斯基创作之一瞥[J].达县师范高等专科学校学报,2008,18(1):33-37. |
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| 作者姓名： | 杨亦军 |
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| 作者单位： | 四川师范大学文学院 四川成都610068 |
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| 摘 要： | 乔治·桑后期转入了田园小说的创作,把民间文学时间的完备性移植于其中,以纵线延长表现出"时间回环节奏";又以"田园"生活为基本事实,以家庭生活为基本内核,揭示出人性的永恒价值和深刻的人道精神,最终形成了她"田园、艺术、精神"的三重统一体;同时,又以截然不同的风格和时空结构,与陀思妥耶夫斯基的家庭小说相得益彰,既形成对比而又强化了彼此的内在联系,从而使两者在艺术和精神上达到了某种补充、修正,甚至互补.
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| 关 键 词： | 田园小说 家庭小说 民间文学时间 家庭基本内核 |
| 文章编号： | 1008-4886(2008)01-0033-05 |
| 修稿时间： | 2007年8月25日 |
"Pastoral" and "Family" in the Late Writings of George Sand |
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| YANG Yi-jun."Pastoral" and "Family" in the Late Writings of George Sand[J].Journal of Daxian Teachers College,2008,18(1):33-37. |
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| Authors: | YANG Yi-jun |
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| Abstract: | This paper points out that in the late writings of George Sand,she started to write the pastoral with the transplant of temporal maturity to show the "time circulation cadence " in ordinate extension;she took the pastoral as the basic matter,family life as the basic core,to reveal the human's immortal value and profound humanistic soul.Thus such three motifs as "pastoral,art and soul" are united as one trinity,in the meantime,the different style and spatio-temporal frame in her family life fiction are brought out the best in contrast with F.Dostoieevsky's to intensify their mutual relations such as complementaries and revision. |
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| Keywords: | pastoral fiction family fiction folklore time basic family core |
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