| 道家美学生命观：从关注走向迷失——兼与存在主义美学相比较 |
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| 引用本文： | 宋妍.道家美学生命观：从关注走向迷失——兼与存在主义美学相比较[J].漳州师院学报,2006,20(3):45-50. |
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| 作者姓名： | 宋妍 |
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| 作者单位： | 厦门大学,中文系,福建,厦门,361005 |
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| 摘 要： | 长久以来,学术界普遍认为以老庄为代表的道家美学是中国生命美学的源头,有的学者甚至认为同样关注个体生命意义的西方现代存在主义美学是向中国道家美学的复归.以上两种看法均存在片面性.人应该勇敢地承担人类的悲剧,以积极应对的姿态生存,这才是生命的真正意义所在.
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| 关 键 词： | 道家美学 个体存在 向死而在 物我合一 自由超越 生命意义 |
| 文章编号： | 1004-468X(2006)03-45-06 |
| 收稿时间： | 06 19 2006 12:00AM |
| 修稿时间： | 2006年6月19日 |
The Aesthstic Life View of Taoist School: From Paying Close Attention to Moving Towards Loss——A Concurrent Comparison with Existentialist Aesthetics |
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| SONG Yan.The Aesthstic Life View of Taoist School: From Paying Close Attention to Moving Towards Loss——A Concurrent Comparison with Existentialist Aesthetics[J].Journal of ZhangZhou Teachers College(Philosophy & Social Sciences),2006,20(3):45-50. |
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| Authors: | SONG Yan |
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| Abstract: | Academia has thought generally that aesthetics of Chinese Taoist school represented by old village is the source of life aesthetics for a long time. Some scholars even think that modern existentialism of western country sharing the same concern on sense of individual life is regressing to Chinese Taoist religion. This paper points out one-sidedness existing in both views, which has been mentioned above, by means of comparing their respective interpretations of aesthetics that differ in consciousnesses of life, and reveals the practical significance of this comparison, that is, human being should be responsible for their tragedy with great courage and live in a positive and adaptive way. And that is just what the genuine sense of live is. |
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| Keywords: | aesthetics of Taoist school individualistic existence death so may rest oneness of material and sells free transcendence sense of life |
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