罗丹纪念性雕塑研究

以罗丹的纪念性雕塑代表作《加莱义民》、《雨果》、《巴尔扎克》为例,探讨其纪念性雕塑难为当时公众接受的原因———反纪念碑性,从内容和形式两方面论述了纪念性雕塑反纪念碑性的表现,并进一步论述了罗丹反纪念碑的原因。认为罗丹纪念性雕塑的反纪念碑性,主要在于他把纪念性雕塑当作表达个人思想感情的工具,艺术表现占居首位,一反传统的纪念碑外在的要求占居首位的创作模式;他的反纪念碑,根源于纪念性雕塑自身的发展,是一种历史的必然。进而认为它与传统雕塑特别是纪念性雕塑有着根本性的冲突,西方现代雕塑对传统的解构实是受到罗丹的启发。

Discussion of Rodin''''s Monumental Sculpture

By taking Rodin's representative works The Burghers of Calais,Hugo and Balzac as examples,the paper discusses the publics'unacceptance of Rodin's "Monumental Sculpture" because of his anti-monument.The paper talks about the expression of his anti-monument from both the content and the form.Rodin used the "Monumental Sculpture" as a tool to express his emotion,he took the art expression as the priority which was different from the traditional creation style.His anti-monument was based on the development of "Monumental Sculpture", and it was the result of the history.His anti-monument conflicted with the traditional sculpture,especially the "Monumental Sculpture",so in fact the deconstruction of western modern sculpture was enlightened by Rodin.