| 论手指力度均衡训练 |
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| 引用本文： | 田春雨. 论手指力度均衡训练[J]. 长春大学学报, 2007, 0(3) |
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| 作者姓名： | 田春雨 |
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| 作者单位： | 吉林艺术学院音乐学院 吉林长春130021 |
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| 摘 要： | 本文通过笔者数年钢琴演奏和教学的实践经验,总结出用科学和系统的手臂断奏和指力训练,使钢琴学生能尽快克服1、4、5指的自然条件所引起的弹奏力度和灵活性不匀的现象,从而使5个手指的独立性和灵活性实现相对的平衡,全面迅速地提高钢琴演奏技术。
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| 关 键 词： | 钢琴演奏 手臂断奏 指力训练 |
On training of finger force balance |
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| TIAN Chun-yu. On training of finger force balance[J]. Journal of Changchun University, 2007, 0(3) |
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| Authors: | TIAN Chun-yu |
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| Abstract: | Based on practical experiences of piano performance and teaching for many years,summarizes that to use scientific and systemic arm staccato and finger force training,it could make students conqur unbalance of performing force and flexibility,so five fingers will be relative independent and flexible,and piano performance skill will be improved roundly and quickly. |
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| Keywords: | piano performance arm staccato finger force training |
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