| 《汉宫秋》对传统观念的突破及其艺术魅力 |
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| 引用本文： | 于东军,韦巍. 《汉宫秋》对传统观念的突破及其艺术魅力[J]. 井冈山学院学报, 2007, 28(9) |
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| 作者姓名： | 于东军 韦巍 |
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| 作者单位： | 西华师范大学文学院 四川南充637002 |
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| 摘 要： | 《汉宫秋》是以汉元帝为爱情主人公的末本戏。君王以爱情主人公的面目出现,突破了传统封建道德观念中君王以刑政教化为重的那个严肃、无情形象的禁锢。同时,渴望安定和平、幸福生活的生存意识的彰显以及戏剧中"情"的诗化处理方式都增添了《汉宫秋》的魅力。
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| 关 键 词： | 《汉宫秋》 马致远 汉元帝 生存意识 诗化方式 |
Discuss Han Gong Qiu''s Breakthrough Traditional Ideas and Artistic Charm |
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| YU Dongjun,WEI Wei. Discuss Han Gong Qiu''s Breakthrough Traditional Ideas and Artistic Charm[J]. Journal of Jinggangshan University, 2007, 28(9) |
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| Authors: | YU Dongjun WEI Wei |
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| Abstract: | Emperor Yuan of Han Dynasty is the leading character of this love tragedy.It's a breakthrough that the Emperor no more attract importance to politics and enlighten by education.Meanwhile,they hope peaceful,happy life as well as artistic distress method have all increased charm. |
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| Keywords: | Han Gong Qiu Ma Zhiyuan Emperor Yuan of Han Dynasty living consciousness poetic method. |
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