| 戏曲十二音神推考 |
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| 引用本文： | 曹广涛.戏曲十二音神推考[J].韶关学院学报,2007,28(10):83-86. |
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| 作者姓名： | 曹广涛 |
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| 作者单位： | 韶关学院,外语学院,广东,韶关,512005 |
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| 摘 要： | 中国传统戏曲的行业神之一“十二音神”，其组成人员的籍贯事迹及得名迄今尚未得到研究者的重视。“音神”一词可能与佛教香音神存在因缘关系，而根据对十二音神生平和道教文献的查考，十二音神的组成与形成则可能受道教经典中所阐发的“黄帝制十二音律”及道教之十二月将之说的影响。
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| 关 键 词： | 戏曲 十二音神 香音神 十二月将 |
| 文章编号： | 1007-5348（2007）10-0083-04 |
| 修稿时间： | 2007-08-20 |
A Study of the Music Gods of Traditional Chinese Theatre |
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| CAO Guang-tao.A Study of the Music Gods of Traditional Chinese Theatre[J].Journal of Shaoguan University(Social Science Edition),2007,28(10):83-86. |
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| Authors: | CAO Guang-tao |
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| Institution: | Faculty of Foreign Languages, Shaoguan University, Shaoguan 512005, Guangdong, China |
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| Abstract: | In the academic field of the traditional Chinese opera, the research of twelve music gods have been neglected, including their composition, their life and the origin of the term ＂twelve music gods＂. The name of ＂god in charge of music＂ may find its origin in the fragrant music god in Buddhism. By analysing the life and career and the Daoism document, it can be concluded that the combination of ＂the twelve music gods＂ is influenced by the twelve temperaments as well as the twelve generals in charge of twelve months in Daoism. |
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| Keywords: | traditional Chinese theatre twelve music gods fragrant music gods twelve generals in charge of twelve months |
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