| 从魏延的形象刻画谈《三国演义》中的遮蔽和彰显 |
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| 引用本文： | 文霈. 从魏延的形象刻画谈《三国演义》中的遮蔽和彰显[J]. 韶关学院学报, 2007, 28(10): 87-89 |
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| 作者姓名： | 文霈 |
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| 作者单位： | 河南省南阳工业学校,经济管理系,河南,南阳,473035 |
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| 摘 要： | 作家创作总是带着感情色彩，用尽种种办法使得所表达的内容符合自己的感情需要——这种创作倾向即遮蔽和彰显。《三国演义》的作者抱着坚定的要为正统立言的目的，这种遮蔽和彰显尤其严重。为衬托诸葛亮的神奇，魏延成了牺牲品，成为极端丑化的对象。
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| 关 键 词： | 三国演义 遮蔽 彰显 魏延 诸葛亮 |
| 文章编号： | 1007-5348（2007）10-0087-03 |
| 修稿时间： | 2007-07-20 |
Talking about Covering up and Showing up in the Romance of the Three Kingdoms from Weiyan''''s image Description |
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| WEN Pei. Talking about Covering up and Showing up in the Romance of the Three Kingdoms from Weiyan''''s image Description[J]. Journal of Shaoguan University(Social Science Edition), 2007, 28(10): 87-89 |
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| Authors: | WEN Pei |
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| Affiliation: | Department of Economics and Management The Industrial School of Nanyang, Nanyang 473035 , Henan, China |
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| Abstract: | Writers always write with their own feelings. In order to make what they write meet the need of their own feelings, they will use various ways. One of these ways is ＂covering up and showing up＂. The writer of Romance of the three kingdoms used this writing technique more frequently aimed at defending the traditional opinions. In order to set off Zhuge Liang＇ s wisdom, Weiyan became the victim of his work——an object of the vilification. |
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| Keywords: | the romance of the three kingdoms covering up showing up Weiyan Zhuge Liang |
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