首页 | 本学科首页   官方微博 | 高级检索  
     检索      

如何获得持久的歌唱能力--论真声、假声、混声在歌唱中的运用
引用本文:王秀敏.如何获得持久的歌唱能力--论真声、假声、混声在歌唱中的运用[J].温州大学学报(自然科学版),2005,26(1):91-94.
作者姓名:王秀敏
作者单位:温州师范学院音乐学院,浙江,温州,325035
摘    要:真声、假声、混声是声乐界长期研讨的问题,纯粹地运用真声歌唱声音直且硬,音域窄,完全地运用假声演唱,又往往造成声音虚、假,中低声区下不来的“半个嗓子”歌唱现象,运用高位置的混声歌唱能让歌者自如地运用和控制声音,使声音具有“飞跃性”、“穿透性”,从而获得持久的歌唱能力。

关 键 词:真声  假声  高位置混声
文章编号:1006-0375(2005)01-0091-04
修稿时间:2004年2月19日

How to Obtain a Permanent Singing Ability--On the Application of Chest Voice, Falsetto and Mixed Voice in Singing
WANG Xiu-min.How to Obtain a Permanent Singing Ability--On the Application of Chest Voice, Falsetto and Mixed Voice in Singing[J].Journal of Wenzhou University Natural Science,2005,26(1):91-94.
Authors:WANG Xiu-min
Abstract:Chest voice, falsetto and mixed voice have always been a study subject in music. To sing purely by chest voice will make the sound straight and hard, with a narrow range. Singing totally by falsetto would make the voice weak and artificial, which may lead to "half voice" blocked in middle and bass register. While applying mixed voice of high position, the singer could manage and control the voice smoothly and make the voice saltant and penetrating, which resulted in a sustainable singing ability.
Keywords:chest voice  falsetto  mixed voice of high position  
本文献已被 CNKI 维普 万方数据 等数据库收录!
设为首页 | 免责声明 | 关于勤云 | 加入收藏

Copyright©北京勤云科技发展有限公司  京ICP备09084417号