| 当代工笔人物画创作语的拓展与创新 |
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| 引用本文： | 梁晓如. 当代工笔人物画创作语的拓展与创新[J]. 泰山学院学报, 2014, 0(1): 109-111 |
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| 作者姓名： | 梁晓如 |
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| 作者单位： | 泰山学院美术学院,山东泰安271021 |
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| 摘 要： | 当代工笔人物画创作突破了传统审美模式统一、单调和程式的局限,而处于一种兼容开放的状态,呈现出多元共生的全新创作语言.本文从横向和纵向两大方面来研究当代工笔人物画创作语言的拓展与创新,更好地指导我们的创作.
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| 关 键 词： | 当代工笔人物画 创作语言 写实 写意 |
The Painting Creations of Development and Innovation of Modern Fine Brushwork Figure |
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| LIANG Xiao-ru. The Painting Creations of Development and Innovation of Modern Fine Brushwork Figure[J]. Journal of Taishan University, 2014, 0(1): 109-111 |
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| Authors: | LIANG Xiao-ru |
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| Affiliation: | LIANG Xiao-ru (Fine Arts School,Tai Shan University, Taian,Shandong,271021 ) |
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| Abstract: | Over the past 20 years, Chinese fine brushwork figure painting has come into a new historical period, becoming the most rapid development, and most dynamic branch in Chinese Painting. Contemporary fine brushwork figure painting creation has broken through the traditional aesthetic pattern unification and monotonous and limitations, so that in a compatible state, it is presenting a plural and eommensal new creative language. |
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| Keywords: | contemporary fine brushwork figure painting creative language realistic painting traditional Chinese painting |
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