| 李渔从绘画到戏曲的身份认同 |
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| 引用本文： | 骆兵. 李渔从绘画到戏曲的身份认同[J]. 江西科技师范学院学报, 2014, 0(5): 104-108 |
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| 作者姓名： | 骆兵 |
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| 作者单位： | 江西财经大学人文学院,江西南昌,330013 |
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| 基金项目： | 2012年度国家社科基金一般项目《国学视域下古代戏曲身份认同研究》的阶段性成果;编号12BZW010 |
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| 摘 要： | 李渔是中国古代著名的文化艺术大家,毕生直面社会经济发展潮流,绘画理论与实践根置现实,执着无待而兴;与此同时,通过实施直观实用的创作原则,绘画向戏曲渗透,艺术向谋生齐观,获得了戏曲上的独特建树,充分体现了李渔从绘画到戏曲的身份认同,以及商品经济价值取向。李渔从绘画到戏曲具有强烈的商品经济意识与动机,所含审美理想与经济实用兼而有之,给予当今人们有益的启迪。
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| 关 键 词： | 李渔 绘画 戏曲 身份认同 |
Li Yu's Identity from Painting to Traditional Opera |
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| Luo Bing. Li Yu's Identity from Painting to Traditional Opera[J]. Journal of Jiangxi Science & Technology Normal University, 2014, 0(5): 104-108 |
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| Authors: | Luo Bing |
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| Affiliation: | Luo Bing (Jiangxi University of Finance and Economics, Nanchang 330013, P.R. China) |
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| Abstract: | Li Yu was a famous cultural master in ancient China. Facing the trend of social and economic development, he rooted the painting theory and practice persistently in the reality. At the same time, he made the unique contribution to the traditional opera through the implementation of the intuitive and practical creation principle, the penetration of painting into traditional opera art, and the connection of art with make a living. It fully embodies Li Yu＇s identity from the painting to traditional opera as well as commodity economic value orientation. Li Yu＇s and strong motivation of commodity economy, which contains both the aesthetic ideal and the practical economy at the same time, give today＇s people beneficial enlightment. |
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| Keywords: | Li Yu painting traditional opera identity |
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