| 马克思恩格斯的社会悲剧理论 |
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| 引用本文： | 陆贵山.马克思恩格斯的社会悲剧理论[J].武陵学刊,2011(2):100-106. |
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| 作者姓名： | 陆贵山 |
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| 作者单位： | 中国人民大学文学院 |
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| 摘 要： | 马克思恩格斯的悲剧理论具有丰富的内涵和普遍适用性。他们认为:悲剧的社会根源是"历史的必然要求和这个要求实际上不可能实现之间的悲剧性冲突";悲剧的艺术真实必须尊重历史真实,但也应当允许和倡导合理的艺术想象和艺术虚构;运用现实主义创作的原则和方法塑造人物形象,必须做到人物的个性和共性的有机统一,文艺创作必须"莎士比亚化";文艺创作应当努力做到"较大的思想深度"和"意识到的历史内容"与"莎士比亚剧作的情节的生动性和丰富性"相融合,因为这正是戏剧的理想和未来。
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| 关 键 词： | 马克思 恩格斯 社会悲剧 裴迪南·拉萨尔 《弗兰茨·冯·济金根》 |
Social Tragedy Theory of Max and Engels |
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| Authors: | LU Gui-shan |
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| Institution: | LU Gui-shan (College of Literature,People’s University of China,Beijing 100872,China) |
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| Abstract: | The tragedy theory of Max and Engels is rich in content and of universal applicability.They believed: The social origin of tragedy is " the tragical conflicts between the inevitable demand of history and the impossibility of it";the artistic truth of tragedy must respect historical truth,but also allow reasonable artistic imagination and fiction;application of the principle and method of realism to depict characters requires the organic combination of character’s uniqueness and universality;literary creation should "boast useful idea","historical content" and "vivid and rich plot" because they are the development trend of drama. |
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| Keywords: | Max Engels social tragedy Ferdinand Lassalle Franz von Sickingen |
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