| 肖斯塔科维奇《前奏曲二十四首》（OP.34）研究——以C大调（OP.34NO.1）为例 |
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| 引用本文： | 胥必海.肖斯塔科维奇《前奏曲二十四首》（OP.34）研究——以C大调（OP.34NO.1）为例[J].达县师范高等专科学校学报,2010(6):69-71. |
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| 作者姓名： | 胥必海 |
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| 作者单位： | 四川文理学院音乐系; |
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| 摘 要： | 肖斯塔科维奇一生为钢琴写作过大量作品,涵盖钢琴音乐的各个方面。创作于1932年至1933年的《前奏曲二十四首》（OP.34）在内容和形式上,均独树一帜,是一种全新的音乐体裁,对后世影响巨大,被称之为＂新古典主义的音乐格言＂。而《C大调前奏曲》作为这部套曲的开卷之作,充满着浓厚的＂肖斯塔科维奇式＂的＂先锋派＂风格,具有统领全局的作用。
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| 关 键 词： | 肖斯塔科维奇 前奏曲 C大调 |
Study on Shostakovich's Preludes 24(OP.34):C Major(OP.34 NO.1) as an Example |
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| XU Bi-hai.Study on Shostakovich's Preludes 24(OP.34):C Major(OP.34 NO.1) as an Example[J].Journal of Daxian Teachers College,2010(6):69-71. |
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| Authors: | XU Bi-hai |
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| Institution: | XU Bi-hai(Conservatory of Sichuan University of Arts and Science,Dazhou Sichuan 635000,China) |
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| Abstract: | Shostakovich composed massive music works for piano,which cover all the aspects of piano music.The Preludes 24(OP.34),composed from 1932 to 1933,is a completely new musical genre and unique in content and form,which is called new classicism music maxim and has a deep influence on its following composition.As a starting one of the divertimento,The Prelude C Major is characteristics with Shostakovichish avant-garde style and plays a role of leading the following pieces. |
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| Keywords: | Shostakovich prelude C major |
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