| 西方古典主义绘画中的理性启蒙精神 |
| |
| 引用本文： | 张兴龙. 西方古典主义绘画中的理性启蒙精神[J]. 泰山学院学报, 2009, 31(2): 101-104 |
| |
| 作者姓名： | 张兴龙 |
| |
| 作者单位： | 淮海工学院,文学院,江苏,连云港,222005 |
| |
| 摘 要： | 古典主义绘画艺术发生在理性启蒙的高峰期,艺术中的理性启蒙精神成为可能,由此形成古典主义绘画艺术精神追求中的三个重要症候,即从膜拜彼岸的神的虚幻世界转向关注此岸的人的现实生存空间;对死亡意识的深刻思考和焦虑;理性至上的美学追求。
|
| 关 键 词： | 古典主义绘画 理性启蒙精神 普桑 达维特 |
The Rational Enlightenment Spirit in Western Classicism Painting |
| |
| ZHANG Xing-Long. The Rational Enlightenment Spirit in Western Classicism Painting[J]. Journal of Taishan University, 2009, 31(2): 101-104 |
| |
| Authors: | ZHANG Xing-Long |
| |
| Affiliation: | ZHANG Xing - Long ( Art School, Huaihai Institute of Technology, Lian Yungang, Jiangsu, 222005 ) |
| |
| Abstract: | Classicism Painting happened during the climax period of Ration Enlightenment, then the Ration Enlightenment Spirit came into being. Thus, the three important symbols of Classicism Painting spiritual pursuit are clearly characterized ; namely, content shifting from the worship of God in the fantasy world to common people in the real world; ponderation and anxiety of death consciousness; ration supremacy in the pursuit of aesthetics. |
| |
| Keywords: | Classicism Painting Ration Enlightenment Nicolas Poussin Jacques Louis David |
| 本文献已被 维普 万方数据 等数据库收录！ |
|
