| 论白饭如霜奇幻小说中的六朝志怪文化层累 |
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| 引用本文： | 童苏婧.论白饭如霜奇幻小说中的六朝志怪文化层累[J].许昌师专学报,2008(6):58-62. |
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| 作者姓名： | 童苏婧 |
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| 作者单位： | 西南大学文学院,重庆400715 |
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| 摘 要： | 白饭如霜的奇幻作品植根于六朝志怪的沃土，构建了一个色彩斑驳、幻影重重的“非人”世界，在彼岸的蓝天下展示了和谐共处、形象灵动的人类图景和联系复杂、时空交错的世界图景，并在此基础上通过游戏式的探险历程探究了人类存在的终极意义。
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| 关 键 词： | “非人” 人类图景 世界图景 存在意义 |
On the classical cultural implication in Baifanrushuang＇ s fantastic fictions |
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| TONG Su-jing.On the classical cultural implication in Baifanrushuang＇ s fantastic fictions[J].Journal of Xuchang Teachers College(Social Science Edition),2008(6):58-62. |
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| Authors: | TONG Su-jing |
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| Institution: | TONG Su-jing (School of Literature, Southwest University, Chongqing 400715, China) |
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| Abstract: | Baifan＇ s fantastic fictions are rooted in the fertile soil of the Six Dynasties＇ ghost stories and have structured a colorful phantom non-human world. Pictures of harmonious coexistence of human beings and view of intertwining of time and space are shown in the blue sky of the other shore, based on which the works explore the ultimate meaning of human existence by means of game-style expeditions. |
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| Keywords: | ＂non-human＂ human view world view significance of existence |
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