| 庄子与萨特的美学比较 |
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| 引用本文： | 孙强.庄子与萨特的美学比较[J].鞍山科技大学学报,2011(4). |
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| 作者姓名： | 孙强 |
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| 作者单位： | 蚌埠学院艺术设计系; |
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| 摘 要： | 庄子与萨特以艺术欣赏与创作来实现精神的自由安顿与独立自存,这就把美从艺术的领域延伸至现实世界。在东西方两种异质文化冲撞的背景下比较二者思想,可以发现他们在自由的概念、追求自由的方式以及对现实的态度三方面有惊人的相似,也存在很大不同。庄子的逍遥游与萨特的自由同具有反异化、追求绝对精神自由的特征;也都希望通过想象、体道等主观方式去达到自由之境界;而他们对束缚自由的现实所采取的态度却截然相反,前者主张迴避,后者勇于反抗。这些异同为艺术化人生的研究提供一个参考语境。
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| 关 键 词： | 庄子 萨特 自由 艺术 |
Comparison of Zhuangzi and Sartre's aesthetics |
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| SUN Qiang.Comparison of Zhuangzi and Sartre's aesthetics[J].Journal of Anshan University of Science and Technology,2011(4). |
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| Authors: | SUN Qiang |
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| Institution: | SUN Qiang(Art and Design Department,Bengbu College,Bengbu 233000,China) |
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| Abstract: | Zhuangzi and Sartre fulfill the spirit of freedom and independence of self-settled existence by creating and enjoining art,which enable the enthusiasam from the fields of art to the real world.In this paper,two thoughts from the collision of two different cultures of the Eas tand the West are compared,the same and differences of three respects,the concept of freedom,the way of pursuiting freedom and the attitudes towards the reality can be seen.Zhuangzi`s XiaoyaoYou had the counter-disassimilation,pursueing... |
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| Keywords: | Zhuangzi Sartre freedom arts |
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