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唐代太常寺乐工种类考论
引用本文:左汉林.唐代太常寺乐工种类考论[J].开封大学学报,2007,21(1):20-25.
作者姓名:左汉林
作者单位:北京师范大学,文学院,北京,100875
摘    要:太常寺是唐代主管国家礼乐的机构,其乐工的种类较为复杂。太常寺乐工中的文武二舞郎属于良民,被赦免贱籍的前代乐工亦具有良民身份。太常音声人的身份属于杂户,在地位上接近于官户,但他们享有与良民通婚的权利。番户的地位和太常音声人基本相同,但必须当色为婚,他们以番上的方式到太常寺服役。另有一种长上乐户,其身份属于官奴婢,需要长期在太常寺服役。

关 键 词:唐代  太常寺  乐工  身份  种类
文章编号:1008-343X(2007)01-0020-06
收稿时间:2006-08-28
修稿时间:2006年8月28日

Reflections on the Types of Musicians of Taichang Temple in Tang Dynasty
ZUO Han-lin.Reflections on the Types of Musicians of Taichang Temple in Tang Dynasty[J].Journal of Kaifeng University,2007,21(1):20-25.
Authors:ZUO Han-lin
Abstract:As an organization in charge of national education,culture and musician,Taichang Temple different types of musicians.Dancers are law-abiding people.The former musicians who are remitted their humble census registers are law-abiding people too.Taichang Yinsheng people are Zahu.Their status is about equal to that of the government official,however they have the right to marry law-abiding people.Fanhu and Yinsheng people in Taichang temple have the same social position,but Fanhu must marry the same people,they serve in Taichang Temple by turns.As for day-to-day music families,they are government officials' slaves and maidservants.They have to serve in Taichang Temple for a long time.
Keywords:Tang Dynasty  Taichang Temple  musician  identity  types
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