戏剧距离的矛盾性——中西戏剧表演中“心理距离”的不同表现

艺术中的“心理距离说”是由英国爱德华·布洛提出的，他认为距离介于主体自身和主体感受之间，它是主体产生某种感受的源泉或媒介。借助布洛的“心理距离说”分析中西戏剧的表演，发现前者表现为“距离太远”，后者则是“距离太近”。这鲜明地反映在中国虚拟程式化地表演和西方戏剧“第四堵墙”的理论上。

The Inconsistency of Theater Distance——The Difference in "The Mentality Distance" between Chinese and Western Drama

＂The mentality distance＂ was put forward by British Edward Bullongh, he considered that distance intervenient personae himself and personae feelings, it was the headspring and intermedium of personae feelings. By dint of Bullongh＇s ＂The Mentality Distance＂ to analyze the difference between Chinese and Western drama, we can find that Chinese drama manifest that the distance is too far, but Western drama put up the distance is too close. This phenomenon vivid reflect by Chinese dummy process and Western ＂The forth wall＂.