| 汉唐铜镜艺术内涵探析——以浙江出土铜镜为例 |
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| 引用本文： | 屈德印,彭亚丽,吕朝亚.汉唐铜镜艺术内涵探析——以浙江出土铜镜为例[J].浙江科技学院学报,2011,23(5):387-390. |
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| 作者姓名： | 屈德印 彭亚丽 吕朝亚 |
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| 作者单位： | 浙江科技学院艺术设计学院,杭州,310023 |
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| 基金项目： | 浙江省哲学社会科学规划课题(07CGWH014YBX) |
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| 摘 要： | 汉唐铜镜具有鲜明的艺术特征和丰富的艺术内涵。汉镜注重画面意境的体现、神韵的表达和视觉艺术语言的运用,在虚与实、有与无、似与不似的意象感悟中,展现了丰富的汉文化蕴藏;唐镜纹饰布局清新明朗,饱满丰腴,流畅华丽,其图式的完美性和特有的高浮雕技法,突破了此前的程式规范。可见,汉唐铜镜不乏亟待开采的艺术文化元素,若将其纹饰艺术内涵的研究纳入设计教学和艺术设计,将会有可观的收益。
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| 关 键 词： | 铜镜 艺术内蕴 探析 |
On artistic connotation of Han and Tang Dynasty bronze mirror:A case study of bronze mirrors unearthed in Zhejiang |
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| QU De-yin,PENG Ya-li,LU Chao-ya.On artistic connotation of Han and Tang Dynasty bronze mirror:A case study of bronze mirrors unearthed in Zhejiang[J].Journal of Zhejiang University of Science and Technology,2011,23(5):387-390. |
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| Authors: | QU De-yin PENG Ya-li LU Chao-ya |
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| Institution: | QU De-yin,PENG Ya-li,LU Chao-ya(School of Design,Zhejiang University of Science and Technology,Hangzhou 310023,China) |
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| Abstract: | Han and Tang Dynasty bronze mirrors possess distinctive art characters and rich artistic content.Han Dynasty mirrors pay attention to the embodiment of artistic conception of the image,the expression of charm and the use of visual art language.Through the imagery inspiration of image and reality,existence and non-existence,similarity and dissimilarity,the Han Dynasty mirrors exhibit abundant connotation of Han Dynasty culture.The ornamentation layout of Tang Dynasty mirrors is fresh and clear,full and plump... |
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| Keywords: | bronze mirror artistic connotation analysis |
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