隐者的怅叹——元初江南诗坛创作风尚散议

元初江南诗坛，诗风或古直悲凉，道劲向上，脱却宋末江湖浮靡之习；或闲适淡泊，自然清空，直承江湖诗派传统；但都共同表现出了江山易代的“黍离之悲”，和不与新朝合作、“归去来兮”的遗民情怀。这种趋向由杜本编录的《谷音》二卷肇其始，由“月泉吟社”的“春日田园杂兴”征诗活动正式拉开序幕。仇远、白埏作为主导江南诗坛的重要代表，以逍遥和闲适、纵情和淡泊，延续着元代江南隐逸诗歌的主旋律。在他们的影响下，之后的江南，一代又一代隐逸诗人行吟在江泽湖畔，构成了元代诗坛一道独特的风景线。

Anchorites'sigh——the Writing Fashion of Jiangnan Parnassus in the Early Yuan Dynasty

The poetic style of Jiangnan parnassus in the early Yuan Dynasty was sad and powerful.It broke away from the high-flown habit in later period of the Song Dynasty.Some were tranquil,natural,and inherited the traditions of Jianghu School.All of them showed Shuli's sadness,his reluctance to coorperate with new rulers,and his exclusion from society as an adherent.This trend began from Duben's volumes of Guyin.It was Yuequanyin Society's Spring Country campaign that made it popular.As important representatives o...