李商隐诗歌中灯烛意象的文化意蕴——兼论唐前灯烛意象的渊源流变

灯烛意象是中国传统诗歌的经典意象之一。晚唐著名诗人李商隐在其诗歌中用到灯意象34次、烛意象22次，就这方面来说，在唐代诗家中仅次于白居易。灯烛意象对李商隐影响深刻，而唐代的经济基础、政治气候、文化氛围也影响到了李诗对灯烛意象的运用。李商隐扩大了灯烛意象的表现力、内蕴力，创造出具有多方面文化意蕴的经典灯烛意象。

Cultural Connotation of the Image of the Lamps and Candles in Li Shangyin's Poems Concurrently Talking about the Origin and Evolution of the Image of the Lamps and Candles before Tang Dynasty

The image of the lamps and candles is one of the classical images of China＇s traditional poems. Through adopting the statistic law of the quantity, we found that famous poet Li Shangyin of late Tang had used the light image 34 times in their poems, 22 times of candle image, so he ranked the second most in poems in the Tang Dynasty, with Bai Juyi the first. From the perspective of etymology, the image of lamps and candles of developing the transmutation in traditional culture has deep influence on Li Shangyin, which may accumulate abundant cultural intension for his work. The economic base, political climate and cultural atmosphere in the Tang Dynasty have influenced his application of the image of lamps and candies. Through his subjective efforts and true feelings, Li Shangyin has expanded the expression of the image of the lamps and candles and created the image of classical lamps and candles with cultural connotation in many aspects.