| 托洛茨基文艺思想简论 |
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| 引用本文： | 陈奇佳.托洛茨基文艺思想简论[J].杭州师范学院学报(社会科学版),2004,1(5):93-97. |
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| 作者姓名： | 陈奇佳 |
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| 作者单位： | 中国人民大学,中文系,北京,100872 |
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| 摘 要： | 托洛茨基认为,无产阶级在掌握政权后,在文化建设方面,其主要任务是要建设团结一切积极力量的全民的文化,而不是无产阶级专门的阶级文化,因此,无产阶级文化是不存在的。他认为,在当时的苏联,要团结一切可以团结的力量,不可歧视"同路人作家"。同时,对当时流行的形式主义浪潮,托洛茨基认为既要重视文艺形式的特殊性,但也不能将形式主义问题玄学化。
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| 关 键 词： | 托洛茨基 无产阶级文化 同路人作家 形式 |
| 文章编号： | 1293/Z(2004)05-0093-05 |
| 修稿时间： | 2004年5月8日 |
Trotsky's Literature Thinking |
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| CHEN Qi-jia.Trotsky's Literature Thinking[J].Journal of Hangzhou Teachers College(Humanities and Social Sciences),2004,1(5):93-97. |
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| Authors: | CHEN Qi-jia |
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| Abstract: | Trotsky thought that, after coming into power, proletariat should comity all active powers in the society to construct culture. Isolated proletariat culture did not exist. He said, at that time, Soviet Russia shouldn't discriminate "alike-way writers". Trotsky also criticized fashionable formalism of that time. He noted the specialties of form of arts was important, but formalism cannot be regarded as metaphysics. |
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| Keywords: | Trotsky proletariat "alike-way writers" form |
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