| 多声部音乐起源论 |
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| 引用本文： | 张承龙.多声部音乐起源论[J].井冈山学院学报,2008,29(3):74-77. |
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| 作者姓名： | 张承龙 |
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| 作者单位： | 井冈山大学艺术学院音乐系 江西吉安343009 |
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| 摘 要： | 多声部音乐是音乐艺术的高级形武，它的产生是人类集体智慧的结晶，是一项伟大的创举。无论是复调性或是主调性多声部音乐都始发于民间，它既不是与生俱来，也非某些人的创造，它是千百年来人类共同劳动、生活的产物。
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| 关 键 词： | 多声部 民间 音乐 起源 和谐定律 |
| 文章编号： | 1673-4718(2008)03-0074-04 |
On the Origin of Multi-tone Music |
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| ZHANG Chenglong.On the Origin of Multi-tone Music[J].Journal of Jinggangshan University,2008,29(3):74-77. |
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| Authors: | ZHANG Chenglong |
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| Institution: | ZHANG Chenglong (Arts College, Jinggangshan University, Ji＇an 343009, China) |
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| Abstract: | The multi-tone music,as the higher form of music and a great pioneering achievemest,is the production of human collective wisdom.Both polyphonic and homophnic musics originated from folk music.It was not a born gift of a certain musician,neither was it created by some other musicians.Rather,it was the product of the joint work of all human beings over thousands of years. |
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| Keywords: | Multi-ton music folk music origin product joint work |
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