首页 | 本学科首页   官方微博 | 高级检索  
     检索      

品读敦煌壁画:来自世俗的人文表述
引用本文:王瑞芹.品读敦煌壁画:来自世俗的人文表述[J].上饶师范学院学报,2010,30(5):64-67.
作者姓名:王瑞芹
作者单位:徐州师范大学美术学院,江苏徐州221116
摘    要:敦煌壁画虽起于宗教,但在隋唐时期却明显倾向于对世俗文化的艺术表现,创作中带着浓厚的人的思想感情和多元文化中的生活气息。它描绘了现实与理想、人与自然共生的和谐情景。画面中场所空间的一切则充满着人文关怀,融入了虚拟空间、社会空间的理念,营造出理想的、积极健康的精神空间。

关 键 词:隋唐  敦煌壁画  世俗  人文  空间

Dunhuang Frescoes: the Secular Expressions of Humanity
WANG Rui-qin.Dunhuang Frescoes: the Secular Expressions of Humanity[J].Journal of Shangrao Normal College,2010,30(5):64-67.
Authors:WANG Rui-qin
Institution:WANG Rui-qin(Art College,Xuzhou Normal University,Xuzhou Jiangsu 221116,China)
Abstract:During the Sui and Tang Dynasties,although Dunhuang frescoes originated from religion,they obviously favored in the Sui and Tang Dynasties the artistic expressions of the secular culture.The creations are about the strong feelings of common people and have an atmosphere of multicultural lives.they express the ideal and the reality,the harmonious co-existence between human and nature.and all places are full of humanity concern and ideas of virtual reality and social space,and create an ideal and active spiritual world.
Keywords:the Sui and Tang Dynasties  Dunhuang fresco  the secular  humanity  space
本文献已被 维普 万方数据 等数据库收录!
设为首页 | 免责声明 | 关于勤云 | 加入收藏

Copyright©北京勤云科技发展有限公司  京ICP备09084417号