| 从颠覆走向包容——论《生死疲劳》与《兄弟》的“文革”叙事 |
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| 引用本文： | 王猛猛.从颠覆走向包容——论《生死疲劳》与《兄弟》的“文革”叙事[J].萍乡高等专科学校学报,2011,28(5):56-58. |
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| 作者姓名： | 王猛猛 |
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| 作者单位： | 曲阜师范大学文学院,山东曲阜,273165 |
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| 摘 要： | 2006年文坛有两部"文革"作品面世,那就是莫言的《生死疲劳》和余华的《兄弟》。两部作品在创作上也有某种共性,两位作者皆有先锋创作的历史,由此,笔者认为莫言和余华对待"文革"的态度是由颠覆开始转向了一种大历史的包容。
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| 关 键 词： | “文革” 先锋 颠覆 包容 |
From Subversion to Inclusion |
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| Wang Mengmeng.From Subversion to Inclusion[J].Journal of Pingxiang College,2011,28(5):56-58. |
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| Authors: | Wang Mengmeng |
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| Institution: | Wang Mengmeng(School of Arts,Qufu Normal University,Qufu 273165,China) |
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| Abstract: | In 2006,there are two ＂cultural revolution＂ masterpieces published.They are Life and Death Wearing Me Out and Brothers written by Mo Yan and Yu Hua respectively.There are some things in common in their creations.The two writers have history of avant-garde creation.From this,it is held that Mo Yan and Yu Hua＇s attitude towards ＂cultural revolution＂ is an inclusion from subversion to a kind of history. |
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| Keywords: | ＂cultural revolution＂ avant-garde subversion inclusion |
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