| 整体观念与油画的视觉性、精神性 |
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| 引用本文： | 李顺亮.整体观念与油画的视觉性、精神性[J].菏泽学院学报,2000(1). |
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| 作者姓名： | 李顺亮 |
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| 作者单位： | 菏泽师专艺术系 山东菏泽274015 |
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| 摘 要： | 因为本能确保了人类反映的相同性,所以说绘画中的“土气”与虚假不是特色,而是对绘画视觉性规则的欠缺;整体观念不仅是艺术家训练视觉能力与绘画技巧的基本观念,同时它也是做人的基本观念。本文就整体观念与油画的视觉性与精神性的关系展开讨论。
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| 关 键 词： | 油画 整体观念 视觉性 精神性 |
Viewing Oil Painting as a Whole and by Visual Impressions |
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| LI Shun-liang.Viewing Oil Painting as a Whole and by Visual Impressions[J].Journal of Heze University,2000(1). |
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| Authors: | LI Shun-liang |
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| Abstract: | Because the instinct garantees the samenessof human being's reflection, the falsity and being rustic of the painting are not the features but the lacking of the rules on visual sense in the paintings. The concept of viewing the situation as a whole is the essential concept of artists' visual sense training and painting techniques, and also the essential concept of being aman. The thesis discusses on the relations between the concept of viewing the situation as a whole and visual sense and spirit of oil paintings. |
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| Keywords: | oil painting concept of the whole visual sense spirit |
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