| "全球化"与中国戏曲的语境置换 |
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| 引用本文： | 许艳文. "全球化"与中国戏曲的语境置换[J]. 长沙大学学报, 2005, 19(1): 59-61,65 |
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| 作者姓名： | 许艳文 |
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| 作者单位： | 长沙大学,人文系,湖南,长沙,410003 |
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| 摘 要： | 中国戏曲是中华传统文化的瑰宝,它大大地丰富了世界文化的宝库,在当前文化处在全球化语境的形势下,戏曲能否适应这种新的形势,在保持其优秀传统的前提下进行语境置换,以图与国际接轨,同时能适应当代多方面观众的审美趣味,这是个值得讨论的问题.
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| 关 键 词： | 全球化 中国戏曲 语境置换 |
| 文章编号： | 1008-4681(2005)01-0059-04 |
Globalization and the Switch of the Context of Chinese Opera |
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| XU Yan-wen. Globalization and the Switch of the Context of Chinese Opera[J]. Journal of Changsha University, 2005, 19(1): 59-61,65 |
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| Authors: | XU Yan-wen |
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| Abstract: | Chinese opera which is the treasure of Chinese traditional culture, greatly enriches the world culture. At present the culture is globalized, so whether Chinese opera can adapt to this new situation, changing on the basis of maintaining its essence in order to get integrated into the globalized culture and meet many kinds of audience's aesthetic interest as well, is worthy of our discussion. |
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| Keywords: | globalization Chinese opera switch of the context |
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