| 论我国民间器乐曲中常用的旋律发展手法 |
| |
| 引用本文： | 王亚莉. 论我国民间器乐曲中常用的旋律发展手法[J]. 枣庄师专学报, 2005, 22(3): 106-109 |
| |
| 作者姓名： | 王亚莉 |
| |
| 作者单位： | 枣庄学院音乐系,山东枣庄277160 |
| |
| 摘 要： | 传统民族器乐中有着丰富而多样的旋律发展手法,长期以来形成了一套独特的规律,从目前所掌握的资料与音响中,总结分析了民族器乐中带有普遍意义的有关旋律发展技法,并将其归类为重复、联缀、循环、变奏、展衍五种技法.
|
| 关 键 词： | 民族器乐 重复 联缀 循环 变奏 展衍 |
| 文章编号： | 1004-7077（2005）03-0106-04 |
| 收稿时间： | 2004-11-17 |
| 修稿时间： | 2004-11-17 |
A Probe on Common-used Melody Developing Skills of China Folk Instrument Music |
| |
| WANG Ya-li. A Probe on Common-used Melody Developing Skills of China Folk Instrument Music[J]. Journal of Zaozhuang Teachers' College, 2005, 22(3): 106-109 |
| |
| Authors: | WANG Ya-li |
| |
| Abstract: | There are rich andvarious kinds of melody developing skills among traditional national instrument music. In the long histry, these skills have formed a set of unique regular pattern. This paper mainly analyzes some universal and relevant melody developing skills, which are divided into five techniques, such as repetiton, combination, circulation, variation, emphasis. |
| |
| Keywords: | repletion combination circulation variation emphasis |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ |
|
