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"新诗"美学合法性的自觉寻求 ——以徐志摩的活动为中心
引用本文:伍明春."新诗"美学合法性的自觉寻求 ——以徐志摩的活动为中心[J].泰山学院学报,2006,28(4):33-37.
作者姓名:伍明春
作者单位:福建师范大学,文学院,福建,福州,350007
摘    要:在经历最初的喧嚣之后,由于各种内外因素的作用,1920年代初的“新诗”一度十分沉寂。面对这种情势,以徐志摩为代表的诗人意识到,必须在创作上有所作为,才能真正使“新诗”获得一种自立的地位。于是,一群诗歌观念相近的写作者集结于《晨报副镌.诗镌》,为“新诗”的美学合法性提供了重要的支持。

关 键 词:"新诗"  徐志摩  美学合法性
文章编号:1672-2590(2006)04-0033-05
收稿时间:2006-04-25
修稿时间:2006年4月25日

The Pursuit of New Poetry's Aesthetic Legality ——Focusing on Xu Zhi-mo's Writing
WU Ming-chun.The Pursuit of New Poetry''''s Aesthetic Legality ——Focusing on Xu Zhi-mo''''s Writing[J].Journal of Taishan University,2006,28(4):33-37.
Authors:WU Ming-chun
Abstract:After the initial excitement,due to various factors,the "New Poetry" fell into a difficult position in early 1920's.For confronting this disadvantageous situation,some poets,especially the representative figures among them,were fully aware of the seriousness of the problem.They realized that if the "New Poetry" would achieve autonomy,it needed to produce many outstanding works of poetry.These poets who had similar poetic viewpoint gathered around the Poetry Supplement of the Morning Paper.They made efforts to support New Poetry's Aesthetic Legality.
Keywords:"New Poetry"  Xu Zhi-mo  Aesthetic legality
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