| 壮族歌谣与越南越族歌谣韵律结构之比较 |
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| 引用本文： | 韦树关.壮族歌谣与越南越族歌谣韵律结构之比较[J].广西民族大学学报,2004(1). |
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| 作者姓名： | 韦树关 |
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| 作者单位： | 广西民族学院国际交流学院 |
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| 摘 要： | 歌谣的韵律结构是最具民族特色的 ,它是鉴别歌谣的民族属性的最为可靠的尺度之一。壮族歌谣的韵律结构与越南越族歌谣的韵律结构有惊人的相似之处 ,不仅像汉族歌谣那样押脚韵 ,更为奇特的是押腰脚韵和押腰韵。壮族和越族同为古越人的后裔 ,其歌谣有共同的韵律结构 ,绝不是偶然的巧合 ,而是两个民族原始共同文化的遗存
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| 关 键 词： | 壮族 越族 歌谣 韵律结构 比较 |
A Comparison of the Rhythmical Structures of Zhuang Ballads in China and Yue Ballads in Vietnam |
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| WEI Shu-guan.A Comparison of the Rhythmical Structures of Zhuang Ballads in China and Yue Ballads in Vietnam[J].Journal of Guangxi University For Nationalities(Natural Science Edition),2004(1). |
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| Authors: | WEI Shu-guan |
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| Abstract: | Endowed with distinct national characteristics, the rhythmical structures are the most reliable criterion to judge what nationality a ballad belongs to. The rhythms of Zhuang Ballads in China and Yue Ballads in Vietnam share striking similarities in that they not only have end rhymes but also waist rhymes. Both Zhuang Nationality and Yue Nationality being the descendants of Guyue, it is not a coincidence for them to have common rhythmical structures but that they have both retained some common primitive cultures. |
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| Keywords: | Zhuang Nationality Yue Nationality ballads rhythmical structures comparison |
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