| 中国古代文论中"意""象"渊源简论 |
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| 引用本文： | 李东琴.中国古代文论中"意""象"渊源简论[J].井冈山学院学报,2004(Z1). |
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| 作者姓名： | 李东琴 |
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| 作者单位： | 福建师范大学文学院 福建 |
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| 摘 要： | "意"象"在早期的古代文论中本是单独的概念,随着文学批评的逐渐丰富发展,二者也不断被赋 予不同的内涵,它们以不同的内涵对文学现象进行品评,并最终形成"意象"这样一个抽象的文学批评理念, "象"、"意"、"意象"作为一种文学特征和美学现象,影响了整个古代文论。本文即对这三个重要的文学批评理念 进行一个追本溯源的简论,以求教于方家。
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| 关 键 词： | 意 象 意象 |
The Brief Comment on the Origin of "Meaning" and "Image" of Ancient Revievcs of Literature in China |
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| LI Dongqin.The Brief Comment on the Origin of "Meaning" and "Image" of Ancient Revievcs of Literature in China[J].Journal of Jinggangshan University,2004(Z1). |
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| Authors: | LI Dongqin |
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| Abstract: | "Meaning"and "Image"are originally two separate concepts inancient literature reviews , with the gradual development of literature criticism,they both have been constantly endowed with different connotations and have commented on various literary phenomena,finally,the two concepts have been merged into "imagery"which a single and abstract idea of literary criticism.The three concepts as literature feature and aesthetic phenomena affect the whole ancient reviews of literature.This paper will make a brief comment on them. |
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| Keywords: | meaning image imagery |
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