| 《舞论》的审美倾向对印度传统表演艺术的影响 |
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| 引用本文： | 冯冬.《舞论》的审美倾向对印度传统表演艺术的影响[J].中州大学学报,2013(2):66-70. |
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| 作者姓名： | 冯冬 |
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| 作者单位： | 中国艺术研究院研究生院,北京100027 |
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| 摘 要： | 《舞论》是现存最早的梵语戏剧学论著,对古印度梵剧的戏剧原理、剧作法以及舞台表演实践都做了全面、深入的论述。由《舞论》中的戏剧理论和舞台表演实践可以看出:《舞论》既与东方文化体系保持着紧密的审美契合,又有着与众不同的理论体系和表演模式;同时,《舞论》在时空概念、表演的结构与框架、角色的类型化方面,对印度传统表演艺术产生了重大、深远的影响。
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| 关 键 词： | 《舞论》 审美倾向 戏剧理论 表演实践 传统表演艺术 |
The Aesthetic Feature of Natyasastra and its Influence on the Indian Traditional Performing Arts |
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| FENG Dong.The Aesthetic Feature of Natyasastra and its Influence on the Indian Traditional Performing Arts[J].Journal of Zhongzhou University,2013(2):66-70. |
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| Authors: | FENG Dong |
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| Institution: | FENG Dong (Graduate School of Chinese National Academy of Arts ,Beijing 100027 ,China) |
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| Abstract: | Natyasastra, the earliest extant work of Sanskrit dramaturgy, discusses the fundamental theories, construction techniques and performance practices of the Sanskrit drama comprehensively and thoroughly. Through the Sanskrit dramaturgical theory and practice, we could see clearly that Natyasastra accords with the aestheticism of the eastern culture system, while remaining distinctiveness in its theory and performance model. In addition, it is not difficult to see the far - reaching influence of Natyasastra on the Indian traditional performing arts with the theo- ries of space - time transformation, construction of performance and character typing. |
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| Keywords: | Natyasastra aesthetic tendency dramaturgical theory practice of performance traditional perform- ance arts |
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