| 舞蹈向元杂剧转变的作家心理因素 |
| |
| 引用本文： | 山雨彤,任秀蕾. 舞蹈向元杂剧转变的作家心理因素[J]. 曲靖师范学院学报, 2006, 25(2): 53-55 |
| |
| 作者姓名： | 山雨彤 任秀蕾 |
| |
| 作者单位： | 曲靖师范学院,音乐舞蹈系,云南,曲靖,655011 |
| |
| 摘 要： | 舞蹈以独立的姿态经历了辉煌的唐代,到元朝被杂剧吸收运用,成其为不可分割的组成部分。综观整个转变过程,其中有着舞蹈本身内在发展的必然性,也有着元杂剧作家矛盾、失衡的心理驱动,客观上初步完成了杂剧的多元统一,从而使舞蹈融入新的艺术样式———杂剧。
|
| 关 键 词： | 舞蹈 元杂剧 心理因素 |
| 文章编号： | 1009-8879（2006）02-0054-03 |
| 收稿时间： | 2006-02-26 |
| 修稿时间： | 2006-02-26 |
Writers'''' Psychological Factors Analysis of the Yuan Dynasty--The Transformation of Their Creative Works from Previous Dancing into the Yuan Traditional Opera |
| |
| Shan YuTong,Ren Xiulei. Writers'''' Psychological Factors Analysis of the Yuan Dynasty--The Transformation of Their Creative Works from Previous Dancing into the Yuan Traditional Opera[J]. Journal of Qujing Normal College, 2006, 25(2): 53-55 |
| |
| Authors: | Shan YuTong Ren Xiulei |
| |
| Abstract: | Previous dancing,which had gone through the splendid Tang Dynasty,was absorbed,reused and became one of the undivided parts of the Yuan traditional opera.During the whole process,Yuan writers' contradictory and uneven psychological factors played a positive role and were a driving force in the transformation. |
| |
| Keywords: | dancing the Yuan Traditional Opera psychological factors |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ |
|
